Song:
(shir, shirah): Besides the great collection of sacred songs contained in the Psalter, as well as the lyric outbursts, marked by strong religious feeling, on great national occasions, it is natural to believe, and we have evidence to show, that the Hebrews possessed a large number of popular songs of a secular kind. SONG OF SONGS (which see) of itself proves this. Probably the very oldest song or fragment of song in the Old Testament is that "To the well" (Nu 21:17). W. R. Smith (Religions of the Semites, 167) regards this invocation of the waters to rise as in its origin hardly a mere poetic figure. He compares what Cazwini 1, 189, records of the well of Ilabistan: "When the water failed, a feast was held at its source with music and dancing, to induce it to flow again." If, however, the song had its origin in an early form of religious belief, it must have been secularized later.
But it is in the headings of the Psalms that we find the most numerous traces of the popular songs of the Hebrews. Here there are a number of words and phrases which are now believed to be the names or initial words of such lyrics. In the King James Version they are prefaced with the prep. "on," in the Revised Version (British and American) with "set to," i.e. "to the tune of." We give a list:
(1) Aijeleth Shahar the King James Version, the Revised Version (British and American) Aijeleth hash-shahar, ayyeleth ha-shachar. The title means (Revised Version, margin) "The hind of the morning," but whether the original song so named was a hunting song or a morning serenade it is useless to conjecture. See HIND OF THE MORNING.
(2) Al-taschith (the King James Version), Al-tashheth (Revised Version), al-tashcheth, i.e. "Destroy not," Psalms 57-59; 75, is apparently quoted in Isa 65:8, and in that case must refer to a vintage song.
(3) Jonah elem rehokim or Yonath'elem rechoqim (Ps 56), the Revised Version margin "The silent dove of them that are afar off," or-with a slightly different reading-"The dove of the distant terebinths."
(4) Machalath (Ps 53) and Machalath leannoth (Ps 88). Machalath may mean "sickness," and be the first word of a song. It might mean, on the other hand, a minor mode or rhythm. It has also been held to designate a musical instrument.
(5) Muthlabben (Ps 9) has given rise to many conjectures. Literally, it may mean "Die for the son," or "Death of the son." An ancient tradition referred the words to Goliath (death at the hand of the son [?]), and they have been applied to the fate of Absalom. Such guesses need only be quoted to show their worthlessness.
(6) Lastly, we have Shoshannim =" Lilies" (Psalms 45; 69), Shushan Edhuth =" The lily of testimony" (Ps 60); and Shoshannim Edhuth =" Lilies, a testimony" (Ps 80), probably to be explained like the others.
The music to which these songs were sung is irretrievably lost, but it was, no doubt, very similar in character to that of the Arabs at the present day. While the music of the temple was probably much more elaborate, and of wider range, both in notes and expression of feeling, the popular song was almost certainly limited in compass to a very few notes repeated over and over in long recitations or ballads. This is characteristic of the performances of Arab minstrels of today. The melodies are plaintive, in spite of the majority of them being in major keys, owing to the 7th being flattened, as in genuine Scottish music. Arabic music, further, is marked by great variety and emphasis of rhythm, the various kinds of which have special names.
Written by James Millar
Song: Sung at the Passover Meal
Mat 26:30; Mar 14:26
Song: Didactic
Deu 32
See PSALMS, DIDACTIC
Song: Impersonation of the Church
Sgs 1; 2; 3; 4; 5; 6; 7; 8
Song: Of Moses and the Lamb
Rev 15:3, 4
Song: A New
Psa 33:3; 40:3
Song: Prophetic
See PSALMS, PROPHETIC
Song: Spiritual
Singing of, enjoined,
Eph 5:19; Col 3:16.
Song: Of Praise
See PRAISE; PSALMS, PRAISE; PSALMS, THANKSGIVING; THANKFULNESS
Song: War
Exd 15:1-21; Num 21:27-30; Jdg 5; 2Sa 1:19-27; 22
Song: Solomon Wrote One-Thousand and Five
1Ki 4:32
Song: References Concerning
See POETRY; PRAISE; PSALMS, THANKSGIVING
Song: Of Redemption
Rev 5:9, 10
Song: Of the Redeemed
Rev 14:2, 3-5
Song: Of Thanksgiving
See THANKFULNESS; PSALMS, THANKSGIVING
Song:
"an ode, song," is always used in the NT (as in the Sept.), in praise of God or Christ; in Eph 5:19; Col 3:16 the adjective "spiritual" is added, because the word in itself is generic and might be used of songs anything but spiritual; in Rev 5:9; 14:3 (1st part) the descriptive word is "new" (kainos, "new," in reference to character and form: see NEW), a "song," the significance of which was confined to those mentioned (ver. 3, and 2nd part); in Rev 15:3 (twice), "the song of Moses... and the song of the Lamb," the former as celebrating the deliverance of God'speople by His power, the latter as celebrating redemption by atoning sacrifice.
Hind of the Morning, The:
The translation of Aijeleth hash-Shahar ('ayyeleth ha-shachar) in the title of Ps 22, probably the name of some wellknown song to which the psalm was intended to be sung, which possibly had reference to the early habits of the deer tribe in search of water and food, or to the flight of the hind from the hunters in early dawn; or "morning" may symbolize the deliverance from persecution and sorrow.
"The first rays of the morning sun, by which it announces its appearance before being itself visible, are compared to the fork-like antlers of a stag; and this appearance is called, Ps 22 title. The hind of the morning,' because those antler rays preceded the red of dawn, which again forms the transition to sunrise" (Delitzsch, Iris. 107).
According to Hengstenberg, the words indicate the subject-matter of the poem, the character, sufferings, and triumph of the person who is set before us. See PSALMS. For an interesting Messianic interpretation see Hood, Christmas Evans, the Preacher of Wild Wales, 92 ff.
Written by M. O. Evans
He is a cross pendant.
He is engraved with a unique Number.
He will mail it out from Jerusalem.
He will be sent to your Side.
Emmanuel
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